Three Poems
ELIZABETH KNAPP

Your Life Is Meaningless

I cannot tell you where they came from. 
It seemed they appeared from the sky, 
rounding the corner in their silver Camry
like a spaceship from another galaxy. 
College kids, or so I thought, drunk 
as shit but still clean cut, the type 
you’d expect to play varsity lacrosse 
and to love their mothers a bit 
too much, the kind who’ll go on 
to become management executives 
or investment analysts with two houses 
and ex-wives in three separate cities.
(No woman could ever make them 
happy enough.) So when one of them 
leaned out of the passenger side window 
and yelled those words to no one 
ahead of or behind me on the street, 
I chuckled to myself but never stopped, 
safe in my womb of obliviousness, 
until I realized he was talking to me
Something miraculous happened 
at that moment, something I cannot 
begin to describe, but as I continued 
on, straight from my appointment 
with the OB/GYN, where I saw him 
swimming on a flat, black screen, 
a shadow creature just barely visible, 
a Rorschach test to anyone but me, 
never in my life had my life held
more meaning, never had I felt more 
achingly alive, the insight carrying me 
until together we began to float, 
soon-to-be mother and not-yet child, 
along the empty dead-end street.  






Song While the Children Are Napping

You who said you would never write 
a domestic poem in your life, 
praise this moment of silence, 
the house a still life of chaos: 
the overturned sippy cup, 
the macaroni ground into the carpet 
from lunch, the plastic stegosaurus 
you nearly killed yourself on, stumbling 
into the kitchen this morning. 
Praise this stolen moment, 
its second chances, the glimpse 
of what you might accomplish 
if you would just sit down and write, 
no matter how banal or uninspiring 
your immediate surroundings. 
Praise the uninspiring most of all. 






Elegy with a Cameo Appearance by Linda Ronstadt
for my father

You aren’t dead, but something 
in the honeyed scythe 

of her voice smote me 
there in the middle of Target, 

left me weeping in the aisles, 
mourning you, and by extension,

mourning myself, remembering 
how you would lift each record 

like a skiff and place it gently 
on the table, adjusting 

the needle’s arm until the crackle 
of music began. I loved the skips 

the most, how you would grumble, 
cursing, knocking on the shelf, 

how a minute would repeat 
in an endless motorcade of hours, 

and this was called 
childhood, as I understood it. 

Neither of you was gone, 
yet at that moment my own life 

skipped, and for a moment
I heard its silence. 









ELIZABETH KNAPP is the author of The Spite House (C&R Press), winner of the 2010 De Novo Poetry Prize selected by Richard Jackson. The recipient of the 2007 Discovered Voices Award from Iron Horse Literary Review, she has published poems in Best New Poets 2007The Massachusetts Review, Mid-American Review, Barrow Street, and many other journals. She holds an MFA from the Bennington Writing Seminars and a PhD from Western Michigan University and is currently Associate Professor of English at Hood College in Frederick, Maryland. 


The Adirondack Review
SPRING 2015